Showing posts with label Exam C-2. Show all posts
Showing posts with label Exam C-2. Show all posts

Sunday, August 26, 2018

Language Fluency Myths That People Still Believe


For all you fluent English speakers out there, don’t you think it’s interesting that “the Kronecker pairing on the homology and cohomology of a space should be thought of as an analogue (in fact it is a generalization) of integrating a differential n-form along an n-dimensional submanifold?”

This excerpt is from a lecture on algebraic topology, an advanced and (to some) obscure branch of mathematics. I imagine that most native English speakers reading this article did not understand it at all. That’s because fluency in language is a relative phenomenon. No one will ever be completely fluent in a language like English, which is spoken in so many different ways by so many different people, and is used to describe so many different spheres of activity. You may be a native English speaker, but that does not mean you will understand an 80-year old bus driver from Scotland describing the terrible weather they had 50 summers ago, or a professor in algebraic topology. This is not only the case with English, but with any of the world’s languages: Spanish, Hindi, Chinese, Arabic, German, etc. I want to bust two popular, current myths about fluency which I have repeatedly come up against.

The first and central culprit is the idea that fluency is an absolute status, that the world of each language is divided into two groups: "fluent" and "non-fluent". But here’s a brief example of how muddy these waters can actually be: if I am born in Moscow, but then move to Toronto at 14 and never speak a word of Russian again for the rest of my life, am I still fluent at 89? Language is a living thing; it always happens within a context and relative to that context, and those contexts often do not have any exterior criteria by which they could be termed standard.

A second, related myth is that fluency is purely linguistic, i.e. not cultural, physical, or contextual. Some countries have different gestures to signify "no" and "yes" - written fluency won’t help you to understand the meaning of a nod. Another example from my travels involves a cultural reference: I lived in Italy for a short time, and while my Italian was improving I kept hearing (and not understanding) the term "redot", until I learned that was the Italian term for the band The Red Hot Chili Peppers.

The above examples don’t mean that there are no standards, or that there is nothing to gain from study – there is always room for improvement. But they do show that one’s use of language changes and matures, it fades or grows, and the lines aren’t as hard as they may seem. The difference between beginner and advanced becomes much less clear once a language is used in the real world.

As a last example, let’s compare a graduate student who can read complicated mathematical texts in Arabic, but doesn’t know the word for grocery store, with a traveller who has learned Arabic on the fly – ­colloquially and imperfectly – ­but who can navigate the bus system in Morocco with ease. In your opinion, which of these two is more fluent?

For the original article please see here.

Sunday, March 19, 2017

10 Smart Things to Do When Writing

Some of the greatest writers of all time were at the mercy of some strange superstitions. 

James Joyce had to wear white. Truman Capote needed to lie down, and he couldn’t put more than two cigarettes in an ashtray. Marcel Proust could only focus in a cork-lined room. And Edgar Allan Poe felt compelled to seek approval from his cat.
They swore by these little idiosyncratic rituals and were often unable to produce work if forced to forgo them.
These may seem like weird eccentricities on the surface, but they contain valuable tips. We’ve outlined a few of the key points below and also added a few bits of advice that we think might be a touch easier to understand.

1Sleep tight.

It’s easier said than done, but catching a solid night of z’s is brilliant prep for a strong day of writing. Sleep not only helps you store knowledge; it has also been labeled, thanks to writer and artist Debbie Millman, “The best (and easiest) creative aphrodisiac.”

2Get the setting right.

This isn’t just advice for fiction writers. Find a good writing environment: a place where the background noise is truly Goldilocks (just right), distractions have been slain, and you feel comfortable (ergonomically and psychologically). As Bob Dylan famously said, “Put yourself in an environment where you can completely accept all the unconscious stuff that comes to you from your inner workings of your mind.”

3Surround yourself with inspiration.

For times when your muse goes on holiday, it’s incredibly useful to have something within your immediate vicinity that you find inspiring. This could be anything from a beautiful view, to the machine you’re writing about, to a bookshelf brimming with brilliant works of prose and poetry. It’s also worth mentioning that dictionaries, thesauri, and grammar guides can be surprisingly inspiring (and useful).

4Set an intention.

As English writer Samuel Johnson believed, “A man may write at any time, if he will set himself doggedly to it.” Committing to the task at hand is crucial, and more concretely, putting one word in front of the other and sticking to a measurable goal (two-hundred words, three pages, four chapters) is the best way to make sure you are getting things done.

5Have a routine.

We laughed off rituals earlier, but establishing a writing routine is actually extremely beneficial. That’s because of cognitive cueing. As cognitive psychologist Ronald Kellogg explains in his book The Psychology of Writing, by carrying out certain actions only when writing, our brain begins to associate these actions with a specific state of mind. Meaning, we almost become conditioned to retrieve ideas and thoughts most relevant to what we’re writing about when we do these actions.

6Make a plan.

There’s no greater wrecking ball for writer’s block than brainstorming and outlining. Putting your rough thoughts down on paper and finding some points of connection can make a blank page far less intimidating and can keep you on track and moving forward. It can also help to make your writing more logical and cohesive.

7Manage your time wisely.

Studies indicate that writers are most productive when working in one- to three-hour time blocks. Slot breaks into your day to make sure you’re getting the best brain juice possible and don’t forget to leave time for ruthless editing and rewriting. Lastly, don’t be afraid to quit while you’re ahead and before you’re stuck. This was a favorite tactic of Ernest Hemingway’s (and perhaps one that also supported his regimen of “done by noon, drunk by three”).

8Save your work constantly.

Make pressing Control+S or Command+S only slightly less automatic than blinking or swallowing. The memory of computers or tablets is not as reliable as that of paper, and there’s nothing worse than losing all of that hard work.

9Don’t be afraid to kill your darlings.

Countless authors, from William Faulkner to Stephen King, have both given and followed this advice. Essentially, no matter how much you love that one-liner, cutting conclusion, complex character, savvy subhead, or incisive intro, if it doesn’t work, have the courage to cut it. While we’re on the subject, revise ruthlessly. You’ll feel better after.

10Get a second opinion.

Self-doubt is the eternal Achilles heel of the writer. It can incapacitate you before you even start. Having a trusted loved one or peer (or cat) who you can lean on for a second opinion can help you separate the wheat (good writing) from the chaff (poor writing).




The above post was taken directly from Grammarly. For more fun grammar topics, check them out :)

Wednesday, November 4, 2015

Testing: Practice Makes Perfect


How well do you understand English? Which exam should you study for? 

This test contains grammar and vocabulary questions and your test result will help you choose a level to practise at. You will not be able to see the correct answers to the questions.
At the end of the test your level will be assessed at a CEF level (A2 to C2). You can choose to have the results sent to your email address.

You should complete this test in about 10 minutes. You can also do a listening level test.

There are 15 questions in this test. The questions get easier or harder according to your responses. At the end of the test your English level will be assessed. You will not be able to see the correct answers.

Question 1
When Sam was a small child, he ……… spend hours every day playing with stones in the garden.
  used
  would
  was
  should

Question 2
Please don’t forget to ring me when you ……… home.
  get
  are going to get
  are getting
  will get

Question 3 
It’s a great place to live apart from the increasing volume of ……… that passes under my window every day.
  traffic
  vehicles
  transport
  circulation

Question 4
You should read this novel — it’s been ……… recommended by all the critics.
  truly
  highly
  fully
  deeply

Question 5 
I am sure I would have regretted it if I ……… to take the job.
  would have agreed
  would agree
  did agree
  had agreed

Question 6 
Have you been back to the house ……… you grew up?
  who
  which
  when
  where

Question 7 
I’ve only got a ……… money in the bank.
  few
  less
  little
  bit

Question 8 
How ……… have you and your family lived in this flat?
  much
  soon
  often
  long

Question 9 
You ……… to ring Aunt Jean to thank her for her present.
  should
  must
  could
  ought

Question 10
Skye is a beautiful island off the west ……… of Scotland
  border
  edge
  coast
  beach

Question 11 
Your blue ……… are dirty — put on your blue skirt.
  jeans
  dress
  shoes
  shirt

Question 12 
It’s hot in here — would you mind ……… the window?
  open
  opened 
  to open
  opening

Question 13 
I didn’t like that writer’s first book but his second one is much more ……… .
  interesting
  easy
  excellent
  expensive

Question 14
Paul loves art and he would like to become a ……… .
  cleaner
  singer
  mechanic
  painter

Question 15 
Jack loves working in Tokyo but he can’t ……… Japanese yet.
  speak
  say
  talk
  tell